Elee Kraljii Gardiner is a creative mentor, editor and poet with a decade of experience leading workshops and facilitating writing projects. Elee founded Thursdays Writing Collective, a non-profit, low-barrier program of creative writing classes with more than 150 writers from the Downtown Eastside, and is the editor and publisher of eight of the Collective’s anthologies. Her experience working with multi-lingual, racialized, genderized people from a wide-range of life experiences and abilities earned her the 2015 Pandora’s Collective BC Writer Mentor Award.
Her first book of poems, serpentine loop (Anvil Press, 2016), which was nominated for the 2017 Raymond Souster Award and named twice to The Walrus Magazine’s “Best of 2016” list, is now in a second printing. Her second book, the long poem memoir Tunica Intima (forthcoming 2018), has already been shortlisted for the Kroetsch Award for Innovative Poetry. She is coeditor with John Asfour of V6A: Writing from Vancouver’s Downtown Eastside (Arsenal Pulp Press, 2012), an open-genre anthology which was shortlisted for the 2012 City of Vancouver Book Award. Elee is the recipient of CV2’s Lina Chartrand Award for Social Justice and was a finalist for Malahat’s Far Horizons 2014 Prize. A frequent collaborator, she holds an MA in Hispanic Literature and is originally from Boston.
What is the most valuable insight or skill that your VMI writers have learned from you?
Your words are your responsibility. Almost anything is available to you as creator of the text but you must articulate why you make a choice beyond “it feels better this way.” When the logic of the piece is in place, the writing flows.
What do you gain from the mentoring process?
Writing and responding to texts are both processes of discovery. We learn from each other, in response to each other. The writers I have worked with have had a huge impact on my range of knowledge.
What will VMI participants gain from the program?
Aside from skills such as how to combat blocks and strategies for revision, writers will acquire resources for sustaining their creative selves. I believe self-care is a huge component of the writing life!
What is the most valuable piece of writing advice you have received?
I’ll turn to an interview with The League of Canadian Poets where I answered this: http://poets.ca/2017/05/01/on-inspiration-steven-heighton-elee-kraljii-gardiner-robin-richardson-and-souvankham-thammavongsa/)
The best advice comes from Betsy Warland who told me to “write into a problem.” She showed me how to use the stumbling block as the departure point. So, for example, if the poem is stuttering, I increase the stutter to extreme degrees via language interventions or theoretical stops and starts. Or if I am nervous about the text, I write about that dread or fear – either specifically or by attributing those characteristics to the setting or character.
What book, poem or other written work has been most inspirational to you?
I love dictionaries and glossaries! I’m taken with books such as Claudia Rankine’s Citizen: An American Lyric that step forward on their own terms.
What books do you recommend VMI participants read for additional advice?
Choreographer and dancer Twyla Tharp’s The Creative Habit is a neat one. I am a proponent of multi-disciplinary exchange!
What are you currently working on?
I’m compiling an anthology of creative non-fiction essays about the after-shocks of a brush with death forthcoming in 2018.
What do you enjoy most about being a VMI mentor?
The community, the resource-pooling, the diverse knowledge, the commitment to respectful exchange.
What do you wish you knew when writing your first manuscript that you know now?
Each book has its journey and the length of it doesn’t matter to the success of the final product!